Media
01.21.96

Jackie Chan, American Action Hero?

Jaime Wolf

Whenever Jackie Chan leaves Hong Kong to make a public appearance in Shanghai, Taipei or Tokyo, or in Kuala Lumpur, Singapore or Seoul, hundreds—sometimes thousands—of his fans gather in a frenzy of adoration. Last June, Chan, the martial artist...

The NYRB China Archive
06.24.93

Unjust Desserts

Jonathan D. Spence
from New York Review of Books

Can there be any justice in today’s China? It is the deepest question that the film director Zhang Yimou has asked so far. His best-known earlier films, sexually supercharged, suffused with violence or the threat of it, always found some...

The NYRB China Archive
09.24.92

Blazing Passions

Geoffrey O’Brien
from New York Review of Books

In a coincidence of programming in New York City a selection of the commercially most successful Hong Kong movies of the 1980s ran at the same time as a retrospective of work (some of it only marginally released in its country of origin) by the...

The NYRB China Archive
10.26.89

Stories from the Ice Age

Jonathan Mirsky
from New York Review of Books

Since the Tiananmen Square killings it has become fashionable within the Chinese leadership to refer to dissident intellectuals as “scum.” That was Mao’s view, too. In 1942, the chairman, his armies besieged by both Chiang Kai-shek and the...

The NYRB China Archive
04.17.80

Forever Jade

Jonathan D. Spence
from New York Review of Books

A central crisis in modern Chinese letters has been caused by the need to take account of Western forms. Some writers adjusted eagerly to Western literature out of a sincere admiration for Western culture; some grudgingly, out of a total...

The NYRB China Archive
10.23.69

Mao and the Writers

Martin Bernal
from New York Review of Books

By the 1930s the intolerable quality of life and the inefficiency, corruption, and conservatism of the Kuomintang had driven nearly every serious creative writer in China to the Left. Most turned toward some form of Marxism, which not only...

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